The film opens on a sea of dancing bodies during an all-night prayer vigil of the Jericho Church in Swaziland. In their quest for transcendence, the believers dance in ecstasy. Their growling, unintelligible sounds are a sign of God’s presence. This is unlike the Xhosa healers or ‘Sangoma’ of South Africa, who rely on a hallucinogenic root to induce vivid dreams. These constitute the spiritual framework from which they can practise the magic of their ancestors. In an intimate sequence, a young aspiring ‘Sangoma’ delivers a soft-spoken testimonial about her family and ancestors, and about the places she has visited in her dreams.

The quest towards transcendence is vividly represented by red-filtered psychedelic images of zebras and giraffes. They move across unmarked national borders almost as if on the edge of consciousness.